Dinara Asanova - Ne Bolit Golova u Dyatla AKA Woodpeckers Don't Get Headaches (1975)

Quote:
Two 14-year-olds experience the first pangs of romantic love in the midst of their last moments of childhood. Sensitively told, this film conveys a sense of life as it is lived among that age-group, and is unusual because it does not bear a heavy party stamp. This is the first feature film for director {$Dinara Asanova}, who was much-respected in the Soviet Union for making realistic films about young people. ~ Clarke Fountain, All Movie Guide

Vladimir Polkovnikov & Leonid Amalrik - Pavlinij Hvost AKA A Peacock's Tail (1946)

Synopsis: On the motives of K. Chukovskogo's same fairy tale. It tells us about an envious bear who demanded from doctor Ajbolit to sew to him a peacock tail and went for a walk to the wood. The peacock tail gives out to hunters where the bear is.

Vasili Pichul - Malenkaya Vera AKA Little Vera (1988)

------------ Plot Synopsis allmovie.com -----------------------
The title character of the Russian Little Vera is a headstrong teenage girl, played by Natalya Negoda. To the dismay of her parents, Vera lives only for the moment, making no provision for her future. She'd rather hang out at local cafes in garish makeup and provocative clothing. A chance meeting with handsome student Sergei (Andrei Sokolov) develops into a sexual relationship. Her parents send out Vera's brother (Alexander Alexeyev-Negreba) to talk some sense into her, which proves to be doubly dicey when it turns out that the brother is an old acquaintance of the rebellious Sergei. Vera lies, saying that she's gotten pregnant by Sergei, so he obligingly marries her and moves in with her family, which serves only to make matters worse, as Vera's drunken father (Yuri Nazarov) ends up stabbing his son-in-law. Persuaded to lie about the incident to keep her father out of jail, Vera takes her family's side. A last-minute tragedy is barely averted, but the audience gets the distinct feeling that Vera's problems with her family in particular and her life in general are far from over.

Dmitry Trakovsky - Meeting Andrei Tarkovsky (2008)

"This film was conceived in honor of the 20th anniversary of the death of one of the greatest directors in the history of cinema - Andrei Tarkovsky. The young filmmaker Dmitry Trakovsky sets out in search of his favorite director's legacy. His journey leads him to fifteen moving interviews in California, Italy, Sweden, and finally, Russia, as he attempts to come closer to the meaning of one of Tarkovsky's most enigmatic beliefs... that death doesn't exist. The result is the acclaimed documentary MEETING ANDREI TARKOVSKY, which takes an in-depth and poetic look at the late Russian filmmaker who created under the oppressive censorship of the Soviet government. It explores the life and films of Tarkovsky through diverse interviews and stories told by friends, colleagues and others who have been influenced by his art, providing a rare glimpse into Tarkovsky's working methods and personal philosophy of humanity."

Mark Donskoy - Detstvo Gorkogo AKA Childhood of Maxim Gorky (1938)

From IMDB User Comments
Pure cinematic poetry, 10 January 2004 10/10
Author: ollie501 from Dorset, England

The Childhood of Maxim Gorky, tells the story of Aleksei Peshkov a 12 year old boy, living in 19th Century Russia, who would later be known as Maxim Gorky, possibly Russia's most famous and celebrated novelist and dramatist. Made in 1938, the film is based on Gorky's autobiography `My Childhood', and is rich and powerful film which will capture your attention from the beginning.

Naturally, being made in 1938, the film is in black and white, although the story is so colourful and vibrant, with characters so alive, you would be forgiven for thinking the film was made much later. It definitely does not feel almost 65 years old.

Aleksei Lyarsky, who plays Gorky, is instantly likeable as the young protagonist. Capable of portraying emotions far beyond his years, he works superbly alongside a cast of commanding and believable proportion.

Andrei Tarkovsky & Tonino Guerra - Tempo di viaggio aka Voyage in Time aka Travelling Time (1983)

Plot Summary :
Tarkovsky’s documentary explores the creation of the screenplay for his penultimate film ‘Nostalgia’. It shows his wide-ranging discussions with his Italian co-writer Tonino Guerra (Antonioni’s regular collaborator) and the hunt for suitable locations that might embody his vision of the film.

Robert Bird - Andrei Tarkovsky: Elements of Cinema (2008)

A revered filmmaker, Andrei Tarkovsky is secure in the long and illustrious line of Russian masters in arts and letters. Linking cinematic technique to broader questions of meaning and intrepretation, Robert Bird offers a wholly original investigation into the aesthetic principles of Tarvkovsky's filmmaking. While providing a comprehensive analysis of his work in all media, including radio, theatre and opera, Bird argues that Tarkovsky was most at home in the cinema. Accordingly, the author dwells chiefly on Tarkovsky's major films: Ivan's Childhood, Andrei Rublev, Solaris, Mirror, Stalker, Nostalghia and Sacrifice. With its wealth of film stills and photographs, this book is a key text for all admirers of Tarkovsky and European cinema.

Boris Stepantsev - Vovka v Tridevyatom tsarstve AKA Vovka in Far Far Away Kingdom (1965)

19 min. 48 sec.
SOYUZMULTFILM, 1965

directed by Boris Stepantsev
written by Vadim Korostylev
art directors Anatoly Savchenko, Petr Repkin
artists O. Ghemmerling, Lev Arkadyev
animators Anatoly Abarenov, Galina Barinova, Antonina Alyoshina, V. Dolgikh, Youry Butyrin, Leonid Kayukov, Tatiana Taranovich, Victor Arsentiev, Olga Orlova, Anatoly Petrov, S. Zhutovskaya
cameraman Michael Druyan
music I. Yakushenko
sound Boris Filchikov
script editor Raisa Frichinskaya
voice artists Emma Treivas, Michael Yanshin (Tsar) , Clara Rumyanova (Vassilissa) , Elena Ponsova (The Old lady and the Librarian) , Rina Zelenaya (Vovka)