Grigori Kozintsev - Gamlet AKA Hamlet [+extras] (1964)

Synopsis:

A screen adaptation of William Shakespeare’s tragedy.
The somber Elsinore Castle that keeps secrets of many a crime is looming over the rocky coastline. Prince Hamlet once again puts the question: “To be, or not to be?” He is the first thinker in the line of warriors, a poet and a philosopher, a character so close to future generations. In the utterly corrupted kingdom, a lone hero is bound to take up arms to avenge his father’s death. This film became a champion among Lenfilm Studio’s prize-winning motion pictures – 23 awards in four years. The musical score was written by the great Russian composer Dmitry Shostakovich.

Grigori Kozintsev - Korol Lir AKA King Lear (1969)

From IMDB user comments:

Black and white cinematography of Gritsius, the music of Shostakovich and the enigmatic face of Jarvet, makes all other versions of King Lear smaller in stature. Lord Olivier himself acknowledged the stark brilliance of this film. Oleg Dal's fool lends a fascinating twist to the character. The "Christian Marxism" of Kozintsev can knock-out any serious student of cinema and Shakespeare.

Kozintsev is one of least sung masters of Russian cinema. His cinema is very close to that of Tarkovsky and Sergei Paradjanov. Kozintsev's Lear is not a Lear that mourns his past and his daughters--his Lear is close to the soil, the plants, and all elements of nature. That's what makes Kozintsev's Shakespearean works outstanding.

Grigori Kozintsev - Novyy Vavilon AKA The New Babylon (1929)

NEW BABYLON is the glittering climax of Soviet silent cinema (Jay Leyda in ‘Kino’).
The film deals with the defeat of the French in the Franco-Prussian War (1870/71) and the historic Paris Commune and its tragic short existence in the spring of 1871.